unreliable-narrative

Unreliable Narrator

The unreliable narrator is a narrative device that has intrigued and fascinated storytellers and audiences alike for centuries. This literary technique involves a narrator whose credibility is questionable, whether due to their mental state, personal biases, or deceitful intentions. The unreliable narrator challenges readers and viewers to question the truth of the narrative and engage in a deeper exploration of the story.

Origins of the Unreliable Narrator

The concept of the unreliable narrator has deep roots in the history of literature and storytelling. While it may not always have been identified as such, the idea of a narrator who cannot be entirely trusted can be traced back to classical literature and oral storytelling traditions.

One of the earliest examples of an unreliable narrator can be found in Geoffrey Chaucer’s “The Canterbury Tales” (late 14th century). Chaucer presents a diverse group of pilgrims who tell their own stories during their journey, each with their unique perspectives, biases, and motivations. These conflicting narratives highlight the subjectivity of storytelling and the unreliability of individual perspectives.

Another notable early example is Edgar Allan Poe’s short story “The Tell-Tale Heart” (1843). The story is narrated by an unnamed character who tries to convince the reader of their sanity while describing their murderous actions. As the narrative unfolds, the reader becomes increasingly aware of the narrator’s mental instability, casting doubt on the reliability of their account.

Characteristics of the Unreliable Narrator

The unreliable narrator possesses several distinctive characteristics that set them apart from conventional narrators:

  • Credibility Questioning: The most defining trait of an unreliable narrator is that their credibility is in question. Readers or viewers are prompted to doubt the accuracy of their narration.
  • Subjective Perspective: Unreliable narrators often present events and characters from their own subjective viewpoint, which can be colored by personal biases, emotions, or mental state.
  • Selective Information: They may selectively present information, omitting or distorting facts to manipulate the reader’s perception of the story.
  • Narrative Manipulation: Unreliable narrators engage in narrative manipulation by presenting events out of order, using misdirection, or offering contradictory accounts.
  • Motivation for Deception: The reasons for their unreliability can vary widely, including mental illness, personal agendas, a desire to protect themselves, or even sheer malevolence.
  • Reader Engagement: Unreliable narrators invite readers or viewers to actively engage with the narrative, challenging them to discern the truth behind the narrator’s words.

Types of Unreliable Narrators

Unreliable narrators come in various forms, each with its unique characteristics and motivations. Some common types of unreliable narrators include:

1. The Naïve Narrator

The naïve narrator is typically innocent, inexperienced, or lacking in understanding. They may misinterpret events, characters, or social dynamics due to their limited perspective. This type of unreliable narrator is often found in coming-of-age stories or narratives featuring child protagonists.

2. The Mentally Unstable Narrator

The mentally unstable narrator suffers from a psychological disorder or mental illness that affects their perception of reality. Their unreliability stems from their altered mental state, which can lead to hallucinations, delusions, or erratic behavior.

3. The Intoxicated or Drugged Narrator

Narrators under the influence of drugs, alcohol, or other substances may present distorted or disjointed accounts of events. Their unreliability is a result of their impaired cognitive functions.

4. The Manipulative or Deceptive Narrator

The manipulative or deceptive narrator intentionally misleads the audience for personal gain, revenge, or other motives. They may present a façade of innocence or victimhood while concealing their true intentions.

5. The Unaware Narrator

Unaware narrators are unaware of their own unreliability. They believe their account to be accurate and truthful, even when evidence suggests otherwise. This type of unreliable narrator often generates dramatic irony, as readers or viewers are aware of the narrator’s blind spots.

6. The Unreliable Collective Narrator

In some cases, a group or collective of characters serves as an unreliable narrator. Each member of the group may have their biases or agendas, collectively presenting a narrative that is far from objective.

Advantages of the Unreliable Narrator

The use of an unreliable narrator offers storytellers several advantages, contributing to its enduring appeal and effectiveness in narrative:

  • Narrative Depth: An unreliable narrator can add layers of complexity to a story by providing different perspectives and interpretations of events.
  • Character Exploration: It allows for in-depth exploration of the narrator’s psyche, motivations, and personal struggles, providing readers or viewers with a deeper understanding of the character.
  • Engagement: An unreliable narrator engages the audience intellectually by challenging them to discern the truth and critically evaluate the narrative.
  • Mystery and Suspense: It can create an element of mystery and suspense as readers or viewers attempt to uncover the hidden truths behind the narrator’s account.
  • Theme Exploration: The use of an unreliable narrator can be a tool for exploring themes related to perception, reality, memory, and the subjectivity of truth.

Challenges of the Unreliable Narrator

While the unreliable narrator can enhance storytelling in various ways, it also presents challenges and potential pitfalls:

  • Reader Frustration: If not executed effectively, an unreliable narrator can frustrate readers or viewers who may become disengaged or confused by the narrative.
  • Clarity and Coherence: Maintaining narrative clarity and coherence can be challenging when dealing with conflicting or contradictory accounts of events.
  • Balancing Act: Striking the right balance between revealing enough to engage the audience and concealing enough to maintain the narrator’s unreliability is a delicate task.
  • Risk of Stereotyping: Depending on the type of unreliable narrator chosen, there is a risk of perpetuating stereotypes about mental illness or substance abuse.
  • Resolution: Unreliable narrators must ultimately provide a satisfying resolution that addresses the discrepancies and unanswered questions in the narrative.

Contemporary Examples of the Unreliable Narrator

The use of unreliable narrators remains prevalent in contemporary literature, film, and television. Here are some recent examples that showcase the enduring relevance of this narrative device:

“Gone Girl” by Gillian Flynn (novel and film adaptation, 2012)

“Gone Girl” tells the story of a troubled marriage from the alternating perspectives of Nick and Amy. Both narrators are unreliable, and their conflicting accounts of events create a suspenseful and intricate narrative.

“The Girl on the Train” by Paula Hawkins (novel and film adaptation, 2015)

In “The Girl on the Train,” the protagonist, Rachel, is an alcoholic with unreliable memories due to her drinking. Her unreliability leads to a complex and suspenseful mystery as she investigates a disappearance.

“Fight Club” by Chuck Palahniuk (novel and film adaptation, 1996)

The narrator of “Fight Club” suffers from dissociative identity disorder and is unaware of his alter ego, Tyler Durden. This unreliable narrator’s fragmented perspective keeps the audience guessing about the true nature of the story.

“Mr. Robot” (TV series, 2015

-2019)

The series “Mr. Robot” features an unreliable narrator, Elliot, who is a cybersecurity expert with mental health issues. His unreliable narration creates an atmosphere of paranoia and intrigue as the audience navigates the blurred lines between reality and delusion.

“The Good Liar” (film, 2019)

“The Good Liar” centers on a con artist who uses deception as a way of life. The film employs an unreliable narrator to create a tense and suspenseful thriller, as viewers attempt to unravel the layers of deceit.

Conclusion

The unreliable narrator is a narrative device that has stood the test of time, captivating audiences with its ability to challenge perceptions of truth and reality. Its origins can be traced back to classical literature, and it continues to find resonance in contemporary storytelling across various mediums.

The unreliable narrator’s characteristics, types, advantages, and challenges provide storytellers with a rich and versatile tool for crafting complex and engaging narratives. When executed skillfully, an unreliable narrator invites readers or viewers to become active participants in unraveling the narrative’s mysteries, resulting in a deeper and more immersive storytelling experience.

As storytelling continues to evolve and adapt to the changing preferences of audiences, the unreliable narrator remains a compelling and enduring aspect of the art of narrative deception, inviting us to question not only the storyteller’s words but also our own perceptions of truth and fiction.

Key Highlights:

  • Definition of the Unreliable Narrator: An unreliable narrator is a storytelling device whose credibility is questionable due to factors like mental state, personal biases, or deceitful intentions. This challenges readers/viewers to question the truth of the narrative.
  • Origins: The concept has roots in classical literature, seen in works like Geoffrey Chaucer’s “The Canterbury Tales” and Edgar Allan Poe’s “The Tell-Tale Heart,” where conflicting perspectives highlight the subjectivity of storytelling.
  • Characteristics: Unreliable narrators possess traits like credibility questioning, subjective perspective, selective information, narrative manipulation, motivation for deception, and reader engagement.
  • Types: Common types include the naive narrator, mentally unstable narrator, intoxicated/drugged narrator, manipulative/deceptive narrator, unaware narrator, and unreliable collective narrator.
  • Advantages: The use of an unreliable narrator adds narrative depth, allows for character exploration, engages the audience intellectually, creates mystery and suspense, and explores themes related to perception and reality.
  • Challenges: Challenges include reader frustration, maintaining clarity and coherence, striking the right balance, risks of stereotyping, and providing a satisfying resolution.
  • Contemporary Examples: Recent examples include “Gone Girl” by Gillian Flynn, “The Girl on the Train” by Paula Hawkins, “Fight Club” by Chuck Palahniuk, “Mr. Robot” (TV series), and “The Good Liar” (film).
  • Conclusion: The unreliable narrator remains a compelling narrative device that challenges perceptions of truth and reality. Its versatility and ability to engage audiences make it a timeless aspect of storytelling, inviting us to question both the narrative and our own interpretations.

Read Next: Communication Cycle, Encoding, Communication Models, Organizational Structure.

Read Next: Lasswell Communication Model, Linear Model Of Communication.

Connected Communication Models

Aristotle’s Model of Communication

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The Aristotle model of communication is a linear model with a focus on public speaking. The Aristotle model of communication was developed by Greek philosopher and orator Aristotle, who proposed the linear model to demonstrate the importance of the speaker and their audience during communication

Communication Cycle

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The linear model of communication is a relatively simplistic model envisaging a process in which a sender encodes and transmits a message that is received and decoded by a recipient. The linear model of communication suggests communication moves in one direction only. The sender transmits a message to the receiver, but the receiver does not transmit a response or provide feedback to the sender.

Berlo’s SMCR Model

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Berlo’s SMCR model was created by American communication theorist David Berlo in 1960, who expanded the Shannon-Weaver model of communication into clear and distinct parts. Berlo’s SMCR model is a one-way or linear communication framework based on the Shannon-Weaver communication model.

Helical Model of Communication

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The helical model of communication is a framework inspired by the three-dimensional spring-like curve of a helix. It argues communication is cyclical, continuous, non-repetitive, accumulative, and influenced by time and experience.

Lasswell Communication Model

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The Lasswell communication model is a linear framework for explaining the communication process through segmentation. Lasswell proposed media propaganda performs three social functions: surveillance, correlation, and transmission. Lasswell believed the media could impact what viewers believed about the information presented.

Modus Tollens

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Modus tollens is a deductive argument form and a rule of inference used to make conclusions of arguments and sets of arguments.  Modus tollens argues that if P is true then Q is also true. However, P is false. Therefore Q is also false. Modus tollens as an inference rule dates back to late antiquity where it was taught as part of Aristotelian logic. The first person to describe the rule in detail was Theophrastus, successor to Aristotle in the Peripatetic school.

Five Cannons of Rhetoric

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The five canons of rhetoric were first organized by Roman philosopher Cicero in his treatise De Inventione in around 84 BC. Some 150 years later, Roman rhetorician Quintilian explored each of the five canons in more depth as part of his 12-volume textbook entitled Institutio Oratoria. The work helped the five canons become a major component of rhetorical education well into the medieval period. The five canons of rhetoric comprise a system for understanding powerful and effective communication.

Communication Strategy

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A communication strategy framework clarifies how businesses should communicate with their employees, investors, customers, and suppliers. Some of the key elements of an effective communication strategy move around purpose, background, objectives, target audience, messaging, and approach.

Noise if Communication

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Noise is any factor that interferes with or impedes effective communication between a sender and receiver. When noise disrupts the communication process or prevents the transmission of information, it is said to be communication noise.

7 Cs of Communication

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The 7Cs of communication is a set of guiding principles on effective communication skills in business, moving around seven principles for effective business communication: clear, concise, concrete, correct, complete, coherent, and courteous.

Transactional Model of Communication

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The transactional model of communication describes communication as a two-way, interactive process within social, relational, and cultural contexts. The transactional model of communication is best exemplified by two models. Barnlund’s model describes communication as a complex, multi-layered process where the feedback from the sender becomes the message for the receiver. Dance’s helical model is another example, which suggests communication is continuous, dynamic, evolutionary, and non-linear.

Horizontal Communication

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Horizontal communication, often referred to as lateral communication, is communication that occurs between people at the same organizational level. In this context, communication describes any information that is transmitted between individuals, teams, departments, divisions, or units.

Communication Apprehension

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Communication apprehension is a measure of the degree of anxiety someone feels in response to real (or anticipated) communication with another person or people.

Closed-Loop Communication

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Closed-loop communication is a simple but effective technique used to avoid misunderstandings during the communication process. Here, the person receiving information repeats it back to the sender to ensure they have understood the message correctly. 

Grapevine In Communication

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Grapevine communication describes informal, unstructured, workplace dialogue between employees and superiors. It was first described in the early 1800s after someone observed that the appearance of telegraph wires strung between transmission poles resembled a grapevine.

ASE Model

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The ASE model posits that human behavior can be predicted if one studies the intention behind the behavior. It was created by health communication expert Hein de Vries in 1988. The ASE model believes intention and behavior are determined by cognitive variables such as attitude, social influence, and self-efficacy. The model also believes that intention predicts behavior such that one’s attitude toward a behavior is influenced by the consequences of that behavior. Three cognitive variables are the primary determinants of whether the intention to perform a new behavior was sustained: attitude, social influence, and self-efficacy. Various external variables also influence these factors.

Integrated Marketing Communication

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Integrated marketing communication (IMC) is an approach used by businesses to coordinate and brand their communication strategies. Integrated marketing communication takes separate marketing functions and combines them into one, interconnected approach with a core brand message that is consistent across various channels. These encompass owned, earned, and paid media. Integrated marketing communication has been used to great effect by companies such as Snapchat, Snickers, and Domino’s.

Social Penetration Theory

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Social penetration theory was developed by fellow psychologists Dalmas Taylor and Irwin Altman in their 1973 article Social Penetration: The Development of Interpersonal Relationships. Social penetration theory (SPT) posits that as a relationship develops, shallow and non-intimate communication evolves and becomes deeper and more intimate.

Hypodermic Needle

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The hypodermic needle theory was first proposed by communication theorist Harold Lasswell in his 1927 book Propaganda Technique in the World War. The hypodermic needle theory is a communication model suggesting media messages are inserted into the brains of passive audiences.

7-38-55 Rule

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The 7-38-55 rule was created by University of California psychology professor Albert Mehrabian and mentioned in his book Silent Messages.  The 7-38-55 rule describes the multi-faceted way in which people communicate emotions, claiming that 7% of communication occurred via spoken word, 38% through tone of voice, and the remaining 55% through body language.

Active Listening

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Active listening is the process of listening attentively while someone speaks and displaying understanding through verbal and non-verbal techniques. Active listening is a fundamental part of good communication, fostering a positive connection and building trust between individuals.

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